333 MIRRORS (180 G VINYL)

909,78 ₽

0 ₽

180g, T30 Obi Strip, full printed sleeve

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О товаре

Tresor Records is proud to announce 333 Mirrors from Torus, the artist alias of Joeri Woudstra. Coupled with its catalogue number333, it indicates the large-scale conceptual thoughts behind the record, typical of Woudstra's practice. As an artist, he sets out toframe re-interpretable references that trigger some subconscious recognition in listeners, with no set way to interpret them butleading to singular feelings and thought processes. The eect, a combination of static electronic sounds and looser fieldrecordings, speaks to each listener differently.333 Mirrors is, in part, the continuation of a project called These Cars Do Not Exist, made with videographer Mark Prendergast during theCovid-19 limbo. The live performed short film sold out selected popup cinemas in 2020 in a short sprint of shows. Two of the tracks on thatproject, Sound of the Drums and Chroniko, are re-imagined on 333 Mirrors, emanating as versions created in live performances. Set tobe released as a single, Chroniko VIP will be accompanied by an enduring theme from that project, the three-winged bird, this timedeceased. On 333 Mirrors, in exploring the ambient, stretched sonic universe of this project more, Woudstra moves from thesethree-winged birds to the phoenix, finding a rebirth on the b-side with tracks that inhabit a similar sound as Deep Mid, Torus's inclusionon the recent Tresor 30 compilation. The sound of Torus places importance on the multi-faceted approach to sampling, pushing theidea behind the practice beyond usual boundaries. How to break the unwritten rules? Woudstra looks within by resampling previous Torusreleases and reverse-engineering the sounds of the most revered pop and electronic musicians alive today, references that triggerrecognition, melancholy and nostalgia in the listener.3000 Mirrors features a staccato arpeggiating rigid pattern, the sonic eect of standing in front of a strobe until it becomes theanchor. Silence and interruption are used as a device to explore the physically uncomfortable, more the central compositional tool thanthe disrupted harmonic structures. Woudstra has never stepped foot in Tresor, so when writing this record, an enduring question spoke tohim, what is Tresor when you have never been? How do you sample the essence of an unknown location? The closing track, Omnia, is thesound of anticipation, where the rave beckons. This imagined industrial space is calling for you.